Male and female bodies

Everything you've seen so far applies to both sexes. Although the illustrations show a skeleton with male proportions, the blueprint is the same for women. There is some overlap in the range of characteristics between the sexes, so keep in mind that everything you read here only applies to the average guy or gal. You'll find exceptions to every rule.

Musculature and fat

Women have less muscle mass, and (I'm probably risking my life by saying this) more fat. Everybody stores fat almost all around their body, with a few exceptions such as the scalp and the elbows. But men tend to store it as visceral fat, deep in the abdomen, and develop a beer gut. A woman's body prefers to store it as subcutaneous fat, just below the skin. This layer covers the muscles, and gives the body a softer, more rounded look. It tends to get stored more around the hips, the butt, the lower abdomen, the breasts, shoulders, and triceps.

Fat distribution in women and men

Figure 2.32. Fat distribution in women and men


On the left is a study sketch of a drawing by Prud'hon, on the right a study of the painting of Silenius by Rubens. While Silenius does not have much of a six pack, his arms and legs are still angular and muscular. The woman's fat is more distributed all over her body, so her bones and muscles aren't as visible.

Face

Feminine eyes

Figure 2.33. Feminine eyes


One of the most known tricks to make a face look more feminine is to give the character big, almond-shaped eyes, and put on some mascara and eye shadow. But there are also differences in the bone structure you can use:

Male (left) and female (right) skulls

Figure 2.34. Male (left) and female (right) skulls


In the illustration you can see women have:

  • A pointier chin.
  • A narrower, rounder jaw.
  • A rounder cranium.
  • A less sloping forehead.

Ribcage and shoulders

Women have a smaller ribcage. Their collarbones are also shorter, so they don't have the broad, square shoulders men have.

Male (left) and female (right) skeletons

Figure 2.35. Male (left) and female (right) skeletons


Breasts

Contrary to what some artists want you to believe, using a compass to draw breasts is not the most realistic way to go about it. Their shape is more like a teardrop, and determined by size, gravity, and the fact they are connected to the pectoral muscles. If these muscles stretch out, the breasts move along and their contour changes. For example, raising an arm will move the breast up:

Breasts move with the pectoral muscles

Figure 2.36. Breasts move with the pectoral muscles


As you can see in figure 2.36, the contour lines are drawn only on the outside. This is because breasts don't point straight forward, but they are angled outward. As a guideline, the nipples point away from the spine:

Transverse section of the chest

Figure 2.37. Transverse section of the chest


Hips

The male's pelvis is higher and narrower than a female's:

Male and female pelvis

Figure 2.38. Male and female pelvis


A woman's hips are wider than her shoulders — with men it is the other way around.

Less obvious is the difference in the iliac crest (the two top ridges of the pelvis). It is more pronounced in women, and in 3/4 profile it can show up as a small bump in the outline of the hips:

The iliac crest

Figure 2.39. The iliac crest